TODD ALMOND is a performer, songwriter, and playwright whose work spans both stage and screen. His latest musical, I’M ALMOST THERE, directed by Tony Award winner David Cromer, made its world premiere at the 2024 Edinburgh Festival Fringe, produced by Audible Theater and Francesca Moody Productions. Todd was recently seen on Broadway in the acclaimed GIRL FROM THE NORTH COUNTRY, the Conor McPherson/Bob Dylan musical that debuted at the Public Theater before transferring to the Belasco Theatre. His forthcoming memoir, SLOW TRAIN COMING—which chronicles the journey of GIRL FROM THE NORTH COUNTRY and his personal reflections—will be published by Bloomsbury/Methuen in January 2025. Almond also co-wrote and was music director for Laura Benanti’s one-woman show, NOBODY CARES. He is the co-founder with Lear deBessonet of Public Works at the Public Theater, where he composed, co-wrote, and co-starred in musical adaptations of THE TEMPEST, THE ODYSSEY, and THE WINTER’S TALE, all staged at the Delacorte Theater in Central Park. Additionally, his musical KANSAS CITY CHOIR BOY, in which he co-starred with Courtney Love, played in New York, and toured the U.S.; and his musical GIRLFRIEND (based on Matthew Sweet’s album) has enjoyed productions across the U.S. and Japan. A frequent collaborator with luminaries such as Sarah Ruhl, Suzan-Lori Parks, Jenny Schwartz, and Sherie Rene Scott, Todd has also performed alongside Kelli O’Hara and Andrew Rannells. On screen, he has appeared in “Law & Order: SVU” and the HBO Max reboot of “Gossip Girl.” Todd is a graduate of CCM. http://www.toddalmond.com/

David Cromer most recently directed Dead Outlaw. New York credits include Prayer for the French Republic, Camp Siegfried, A Case for the Existence of God, The Sound Inside, The Band’s Visit, The Treasurer, The House of Blue Leaves, Brighton Beach Memoirs, Nikolai and the Others, The Effect, When the Rain Stops Falling, Tribes, Adding Machine, Our Town and Orson’s Shadow. For his work he has received a Tony Award, a Drama Desk, three Obies and three Lortels, and in 2010 he was named a MacArthur Foundation fellow.  

Jonathan Mastro is a screenwriter, playwright, composer, musical director, and actor. 

Some highlights: the film score for Michael Shannon’s directorial debut Eric Larue (Tribeca Festival premiere 2023) starring Alexander Skarsgård, Judy Greer, Tracy Letts and Alison Pill.  The screenplay for the feature film Viper Club (Toronto International Film Festival Premiere, 2018), starring Susan Sarandon, Edie Falco and Matt Bomer. Original music and musical direction for David Cromer’s groundbreaking production of Our Town (Chicago, NYC, LA, London, Boston, Kansas City). Musical direction for Julie Taymor’s Midsummer Night’s Dream and Arin Arbus’ Taming of the Shrew (both at Theatre for a New Audience), Paris Commune with the Civilians (Brooklyn Academy of Music; Arts Emerson), and performances with the Chicago Symphony Orchestra, the San Diego Symphony, and the Cincinnati Philharmonic. 

Proud member: WGA, Actors’ Equity, and Local 802 (AFM).

Harpist & Singer Erin Hill has played, sung with, and opened for Cyndi Lauper, Enya, Kanye West, Moby, Sinead O’Connor, A-ha, Josh Groban, Jewel, Randy Newman, and for Presidents, First Ladies, and royalty. She’s had a #1 album on the Billboard world chart and has played solo at The Royal Albert Hall.  She’s known as “The Pretty White Girl” from Comedy Central’s Chappelle’s Show and also wrote the music for the sketch. Erin’s “Eleanor Rigby” cover has been heard on SiriusXM The Beatles Channel and its music video won awards in over 50 film festivals around the world.  

Erin was in the Original Broadway casts of Titanic and Urinetown, in Cabaret, and originated the role of Ilse in Spring Awakening with Duncan Sheik. She’s been featured on Million Dollar Listing, The Chris Rock Show, Gossip Girl, PBS’s American Masters, The Tony Awards, Late Night with David Letterman, in Tim Robbins’ film Cradle Will Rock, and by HBO in a Game of Thrones promo playing the theme on her harp.
Her album Girl inventor features her original sci-fi pop, and Erin’s tribute shows with her 10-piece band include The Music of Kate Bush, her Bowie show – Harp Oddity, and Total Eclipse of the Harp: The 80’s!

Luke McCrosson is a New York City-based multi-instrumentalist and educator. Born in California and raised in Colorado, he found a passion for music at an early age while listening to his father play piano. Luke’s love of music led him to study Bass and Piano at Bard College, where he earned his BA in Jazz Performance. He performs and records frequently as an in-demand bassist in New York City. He has shared the stage with the Brooklyn Symphony Orchestra, Raina Sokolov-Gonzalez, Londrelle, Jermaine Holmes, and many others.

David Hyman is a costume designer working in theatre, dance, TV and film. Broadway Credits include The Sound Inside. Off-Broadway Credits Include Playwrights Horizons, Soho Rep, Primary Stages, Barrow Street Theatre, Clubbed Thumb, The Dance Cartel. Regional: Williamstown Theatre Festival, Steppenwolf Theatre, Victory Gardens, About Face Theatre and more. 

www.DavidBHyman.com

Credits include The Welkin (Atlantic Theater Company), Teeth (Playwrights Horizons), Animal Kingdom (Connelly Upstairs), Daphne (Lincoln Center Theater), All The Devils Are Here (DR2), The Refuge Plays (Roundabout Theatre Company), The Half God of Rainfall (NYTW), Uncle Vanya (O’Henry), On Set with Theda Bara (Exponential Festival), Where the Mountain Meets the Sea (Manhattan Theatre Club).

Stacey is the recipient of the 2018 Lilly Award Daryl Roth Prize.

Upcoming work: Table 17 (MCC), The Counter (Roundabout). Other Credits: Six Characters (LCT3), Apiary (2nd Stage), Amusements (Playwrights Horizons), Uncle Vanya (O’Henry Productions), A Bright New Boise (Signature Theater), Camp Siegfried (2nd Stage), A Case for the Existence of God (Signature Theater), This Beautiful Future (Cherry Lane Theater), Fly Away (Petzel Gallery). Chris has designed for art installations, radio plays, and devised works in collaboration with The Movement Theater Company, The Public, Ars Nova, and more. 

www.darbassiedesign.com

Ani Taj is the choreographer and founder of The Dance Cartel, between NYC and the misty west of Ireland. Recent thrills include Dead Outlaw at the Minetta Lane, the musical film The End starring Tilda Swinton, and creating an uncategorizable DanceShowPartyThing with Sam Pinkleton for Virgin Voyages. Dance Cartel highlights: CONAN, Late Late Show; music videos for Yoko Ono, Reggie Watts, Vic Mensa; PS1/MoMA, Storm King, High Line, Ace Hotel, Oberon/ART.  @anitaj @thedancecartel

Audible Theater makes outstanding performances and powerful storytelling available to millions of people all over the world. As part of this initiative, Audible has produced Swing State written by Rebecca Gilman and directed by Robert Falls; Sorry for Your Loss written by and starring Michael Cruz Kayne; Drinking in America starring Andre Royo; Girls & Boys with Carey Mulligan, Harry Clarke starring Billy Crudup, and many others at the Minetta Lane Theatre in New York City. In May 2018, Audible announced that the Minetta Lane Theatre in Greenwich Village will serve as its creative home for live performances in New York. Audible hosts and produces a wide variety of live performances at the Minetta Lane including dramatic plays, comedic shows, engaging panel discussions, and more, with Audible members receiving exclusive access to discounted tickets and related audio content.  
Audible was co-producer for the Broadway transfer of the Tony Award-nominated Latin History for Morons written by and starring John Leguizamo and for the Tony Award-nominated Sea Wall / A Life starring Jake Gyllenhaal and Tom Sturridge. The initiative also saw the release of John Lithgow’s Stories By Heart, Judith Light’s All The Ways To Say I Love You, Sharon Washington’s Feeding The Dragon, and more. Since June 2017, Audible has commissioned 50 theater playwrights to receive support from its $5 million Emerging Playwrights Fund dedicated to developing innovative English-language works from around the globe. The $5 million fund enables the creation of original plays driven by language and voice, keeping with Audible’s core commitment to elevating listening experiences through powerful performances and extraordinary vocal storytelling.

Francesca Moody Productions is an Olivier Award-winning and Tony-nominated production company. Current productions include Kathy and Stella Solve a Murder! (Ambassadors Theatre). Upcoming productions include I’m Almost There, VL, Weather Girl (Summerhall). Recent productions include Feeling Afraid As If Something Terrible is Going to Happen (Bush Theatre), Nutcracker (Southbank Centre), Kathy and Stella Solve a Murder! (Underbelly Edinburgh, Bristol Old Vic, HOME Manchester, Roundabout), An Oak Tree (Bergen International Festival, Festival d'Avignon, Royal Lyceum Theatre Edinburgh), School Girls; Or, The African Mean Girls Play (Lyric Hammersmith), A Doll's House (Hudson Theatre, New York), A Streetcar Named Desire (Phoenix Theatre), Lemons Lemons Lemons Lemons Lemons (Harold Pinter Theatre), Berlusconi: A New Musical (Southwark Playhouse Elephant), Feeling Afraid As If Something Terrible is Going to Happen (Roundabout), Mum (Soho Theatre), Leopards (Rose Theatre), Baby Reindeer (Bush Theatre, Roundabout). FMP is led by Francesca Moody MBE, who is best known as the original producer of the multi-award-winning Fleabag by Phoebe Waller-Bridge, which she has produced globally on behalf of DryWrite, most recently at the Wyndhams Theatre, when it was also recorded and broadcast by NT Live, playing in cinemas throughout the world. 

www.francescamoody.com